UbiGuitar

Mobile Arpeggio Tutor Download

2009-12-05T23:30:00.000+01:00

To download this program please follow this link.

To download other tools go back to download page.

Thank you for your attention.

Mobile Scale Tutor Download

2009-12-05T23:28:00.002+01:00

To download this program please follow this link.

To download other tools go back to download page.

Thank you for your attention.

Mobile Chord Tutor Download

2009-12-05T23:24:00.003+01:00

To download this program please follow this link.

To download other tools go back to download page.

Thank you for your attention.

Mobile Chord Tutor - Drop2+4 Chord Finder Algorithm

2009-11-08T22:19:00.001+01:00

This algorithm is specialized in reporting basic chord type:

Any Inversion
Drop 2+4 chord voicing
Only for 4 note chords
9b interval not allowed (usually avoided in classic jazz)

Suggested for jazz or bossa style.

Below you can see a sample result for C7:

Mobile Chord Tutor - Drop2+3 Chord Finder Algorithm

2009-11-08T22:17:00.001+01:00

This algorithm is specialized in reporting basic chord type:

Any Inversion
Drop 2+3 chord voicing
Only for 4 note chords
9b interval not allowed (usually avoided in classic jazz)

Suggested for jazz or bossa style.

Below you can see a sample result for C7:

Mobile Chord Tutor - Drop3 Chord Finder Algorithm

2009-11-08T22:13:00.003+01:00

This algorithm is specialized in reporting basic chord type:

Any Inversion
Drop 3 chord voicing
Only for 4 note chords
9b interval not allowed (usually avoided in classic jazz)

Suggested for jazz or bossa style.

Below you can see a sample result for C7:

Mobile Chord Tutor - Drop2 Chord Finder Algorithm

2009-11-08T22:05:00.004+01:00

This algorithm is specialized in reporting basic chord type:

Any Inversion
Drop 2 chord voicing
Only for 4 note chords
9b interval not allowed (usually avoided in classic jazz)

Suggested for jazz or bossa style.

Below you can see a sample result for C7:

Mobile Chord Tutor - Four Note Chords Finder Algorithm

2009-11-08T22:01:00.002+01:00

This algorithm is specialized in reporting basic chord type:

Root based chords or inversion
Spread on 4 consecutive strings
3 or 4 note frame size
All chord tones are required

Suggested for acoustic, funky or jazz style.

Below you can see a sample result for Cmaj7:

Mobile Chord Tutor - Basic Inversion Finder Algorithm

2009-11-08T21:56:00.002+01:00

This algorithm is specialized in reporting basic chord type insersions:

Spread on many strings (at most all tuning strings)
3 or 4 note frame size
All chord tones are required
Allowed not-root tone on bass

Suggested for acoustic or basic rock style and jazz.

Below you can see a sample result for Cmaj7 on 4 consecutive strings:

Mobile Chord Tutor - Open Chord Finder Algorithm

2009-11-08T21:44:00.003+01:00

This algorithm is specialized in reporting chord positions with open strings:

Root based chords
Contains one or more open strings
All chord tones are required

Suggested for acoustic or country with open tunings.
Not suggested for advanced jazz voicings.

Below you can see a sample result for Cmaj7 on Open G Tuning:

Mobile Chord Tutor - Basic Chord Finder Algorithm

2009-11-08T21:34:00.002+01:00

This algorithm is specialized in reporting basic chord type:

Root based chords
Spread on many strings (at most all tuning strings)
3 or 4 note frame size
All chord tones are required

Suggested for acoustic or basic rock style.
Not suggested for advanced jazz voicings.

Below you can see a sample result for Cmaj7:

Diatonic V-I voice leading progression

2009-10-21T18:21:00.003+02:00

This is the list for diatonic V-I voice leading progression on 4 high strings and 3 common tones:

G Mixolydian chords root on bass

2009-10-21T18:13:00.001+02:00

This is the list of G Mixolydian chords available with root on bass:

C Dorian chords root on bass

2009-10-21T18:10:00.002+02:00

This is the list of D Dorian chords available with root on bass:

C Lydian chords root on bass

2009-10-21T18:06:00.001+02:00

This is the list of C Lydian chords available with root on bass:

C Lydian chords on 4 middle strings

2009-10-21T18:02:00.003+02:00

This is the list of C Lydian chords available on 4 middle strings:

C Lydian chords on 4 high strings

2009-10-21T17:58:00.002+02:00

This is the list of C Lydian chords available on 4 high strings:

Voice Leading - C Lydian to D Dorian (I-ii) (3 common tones)

2009-10-21T17:17:00.009+02:00

In these examples you can study voice leading between C Lydian chords and D Dorian chords:

Each chord has 3 common tones with the next one.
As you can see many different voicings are available.

Complete Guitar Pack

2009-06-23T20:03:00.004+02:00

Complete Guitar Pack: contains Mobile Chord Tutor, Mobile Scale Tutor and Mobile Arpeggio tutor.
In one application all you may need to be a serious guitarist:

Jazz Chord Voicings
Complex Arpeggios
Exotic Guitar Scales

See single product for a complete description.
To purchase this application please follow this link: purchase.

Relased version 1.1

2009-06-19T19:59:00.002+02:00

Hi,

I'm proud to announce that UbiGuitar tools 1.1 version has been released today.

New features:

Enhanced scale position analysis
Introduced arpeggiated scales
Fixed problems with 7 strings guitar tuning
Added more than 15 new chords
Various minor fixing

PS: at the moment demos will remain to version 1.0

Have fun!
Let's rock...

Chord Scale Progression (Dorian)

2009-06-06T13:00:00.003+02:00

This is a sample result of a new algorithm we're working on, related to chord progressions and voice leading management.
In this case we're looking for best positions on hight four strings for harmonization of a G Dorian scale with G minor chords:

G min7 [X X 3 3 3 3] - G min9 [X X 3 3 3 5]
G min9 [X X 3 3 3 5] - G min7 [X X 5 7 6 6]
G min7 [X X 5 7 6 6] - G min11 [X X 7 7 6 8]
G min11 [X X 7 7 6 8] - G min7 [X X 8 10 8 10]
G min7 [X X 8 10 8 10] - G min6 [X X 12 12 11 12]
G min6 [X X 12 12 11 12] - G min7 [X X 12 12 11 13]

This is the list of available chords:

G min7: X X 3 3 3 3
G min6: X X 2 3 3 3
G min9: X X 3 2 3 3
G min6/9: X X 2 2 3 3
G min11: X X 3 2 1 3
G min11: X X 0 3 1 3
G min11: X X 3 3 1 3
G min11: X X 3 5 3 3
G min13: X X 2 3 1 3
G min13: X X 2 3 3 3
G min13: X X 3 2 5 3
G min13: X X 3 3 5 3
G min13: X X 3 5 5 3
G min9: X X 3 3 3 5
G min9: X X 5 3 3 5
G min9: X X 5 3 6 5
G min9: X X 5 7 6 5
G min9: X X 8 7 6 5
G min9: X X 8 7 8 5
G min6/9: X X 2 3 3 5
G min6/9: X X 5 3 3 5
G min6/9: X X 5 3 5 5
G min6/9: X X 5 7 5 5
G min6/9: X X 8 7 5 5
G min6/9: X X 8 7 8 5
G min11: X X 3 5 3 5
G min11: X X 5 5 6 5
G min11: X X 8 5 6 5
G min11: X X 8 5 8 5
G min13: X X 2 3 3 5
G min13: X X 3 3 5 5
G min13: X X 5 3 5 5
G min13: X X 3 5 5 5
G min13: X X 8 5 5 5
G min13: X X 8 7 5 5
G min7: X X 5 7 6 6
G min6: X X 5 7 5 6
G min9: X X 7 7 6 6
G min9: X X 7 7 8 6
G min11: X X 3 5 3 6
G min11: X X 5 5 3 6
G min11: X X 5 5 6 6
G min11: X X 7 5 6 6
G min11: X X 7 5 8 6
G min13: X X 3 5 5 6
G min13: X X 5 5 5 6
G min13: X X 7 5 5 6
G min13: X X 5 7 5 6
G min13: X X 7 7 5 6
G min13: X X 7 9 6 6
G min13: X X 7 9 8 6
G min11: X X 5 7 6 8
G min11: X X 7 7 6 8
G min11: X X 8 7 6 8
G min11: X X 8 7 8 8
G min11: X X 7 10 8 8
G min11: X X 8 10 8 8
G min11: X X 8 7 10 8
G min11: X X 8 10 10 8
G min13: X X 8 7 5 8
G min13: X X 7 9 6 8
G min13: X X 8 9 6 8
G min13: X X 8 9 8 8
G min13: X X 8 9 10 8
G min7: X X 8 10 8 10
G min6: X X 8 9 8 10
G min9: X X 7 10 8 10
G min9: X X 8 10 10 10
G min6/9: X X 7 9 8 10
G min6/9: X X 8 9 10 10
G min11: X X 10 10 8 10
G min11: X X 10 10 10 10
G min11: X X 10 10 11 10
G min11: X X 10 12 11 10
G min13: X X 8 9 8 10
G min13: X X 8 9 10 10
G min13: X X 10 9 11 10
G min6: X X 12 12 11 12
G min6/9: X X 12 12 10 12
G min6/9: X X 12 14 11 12
G min13: X X 10 10 10 12
G min13: X X 12 10 10 12
G min13: X X 10 10 11 12
G min13: X X 12 10 11 12
G min13: X X 10 12 11 12
G min13: X X 12 12 11 12
G min13: X X 12 14 11 12
G min13: X X 12 10 13 12
G min13: X X 15 12 13 12
G min13: X X 15 14 13 12
G min13: X X 12 15 13 12
G min13: X X 15 15 13 12
G min13: X X 15 12 15 12
G min13: X X 15 14 15 12
G min13: X X 15 15 15 12
G min7: X X 12 12 11 13
G min9: X X 12 12 10 13
G min9: X X 12 14 11 13
G min11: X X 10 12 10 13
G min11: X X 10 12 11 13
G min11: X X 12 12 13 13
G min11: X X 12 14 13 13
G min11: X X 12 15 13 13
G min13: X X 14 12 11 13
G min13: X X 14 14 11 13
G min13: X X 14 12 13 13
G min13: X X 14 14 13 13
G min13: X X 14 15 13 13
G min13: X X 14 12 15 13
G min13: X X 14 14 15 13
G min13: X X 14 15 15 13

Chord Scale Progression (Lydian)

2009-06-06T12:43:00.004+02:00

G 6 [X X 2 4 3 3] - G add9 [X X 5 4 3 5]
G add9 [X X 5 4 3 5] - G maj7 [X X 5 7 7 7]
G maj7 [X X 5 7 7 7] - G maj7/#11 [X X 9 7 7 9]
G maj7/#11 [X X 9 7 7 9] - G maj7 [X X 9 11 8 10]
G maj7 [X X 9 11 8 10] - G 6/9 [X X 9 12 10 12]
G 6/9 [X X 9 12 10 12] - G maj7/b5 [X X 11 12 12 14]

This is the list of all available chords:

G 6: X X 2 4 3 3
G add9: X X 0 2 0 3
G maj9: X X 0 2 0 3
G 6/9: X X 0 2 0 3
G 6/9: X X 2 2 0 3
G 6/9: X X 2 2 3 3
G 6/#11: X X 2 4 2 3
G maj7/13: X X 2 4 3 3
G maj13: X X 2 2 0 3
G maj13: X X 2 4 2 3
G maj13: X X 2 4 3 3
G add9: X X 5 4 3 5
G maj9: X X 4 4 3 5
G maj9: X X 5 4 3 5
G maj9: X X 5 4 7 5
G maj9: X X 5 7 7 5
G 6/9: X X 2 4 3 5
G 6/9: X X 5 4 3 5
G 6/9: X X 5 4 5 5
G 6/9: X X 5 7 5 5
G maj#11: X X 4 4 2 5
G maj#11: X X 5 4 2 5
G maj#11: X X 4 6 3 5
G maj#11: X X 5 6 7 5
G maj13: X X 2 4 2 5
G maj13: X X 2 4 3 5
G maj13: X X 4 4 5 5
G maj13: X X 5 4 5 5
G maj13: X X 4 6 5 5
G maj13: X X 4 7 5 5
G maj7: X X 5 7 7 7
G maj7/b5: X X 5 6 7 7
G 6: X X 5 7 5 7
G add9: X X 7 7 8 7
G maj9: X X 7 7 7 7
G maj9: X X 7 7 8 7
G 6/9: X X 7 7 5 7
G 6/9: X X 7 7 8 7
G 6/9: X X 7 9 8 7
G maj7/#11: X X 5 6 7 7
G 6/#11: X X 5 6 5 7
G maj#11: X X 5 6 7 7
G maj#11: X X 7 6 7 7
G maj#11: X X 7 6 8 7
G maj7/13: X X 4 7 5 7
G maj7/13: X X 5 7 5 7
G maj13: X X 4 6 5 7
G maj13: X X 5 6 5 7
G maj13: X X 7 6 5 7
G maj13: X X 4 7 5 7
G maj13: X X 5 7 5 7
G maj13: X X 7 7 5 7
G maj13: X X 7 9 7 7
G maj13: X X 7 9 8 7
G maj7/b5: X X 9 11 8 9
G maj7/#11: X X 9 7 7 9
G maj7/#11: X X 9 7 8 9
G maj7/#11: X X 9 11 8 9
G maj7/#11: X X 12 11 12 9
G maj7/#11: X X 12 12 12 9
G 6/#11: X X 9 7 8 9
G 6/#11: X X 9 9 8 9
G 6/#11: X X 12 9 12 9
G 6/#11: X X 12 12 12 9
G maj#11: X X 7 7 7 9
G maj#11: X X 9 7 7 9
G maj#11: X X 9 7 8 9
G maj#11: X X 9 11 8 9
G maj#11: X X 9 7 10 9
G maj#11: X X 9 11 10 9
G maj#11: X X 12 11 10 9
G maj#11: X X 9 12 10 9
G maj#11: X X 12 11 12 9
G maj#11: X X 12 12 12 9
G maj13: X X 7 9 7 9
G maj13: X X 9 9 7 9
G maj13: X X 9 9 8 9
G maj13: X X 9 9 10 9
G maj13: X X 12 9 12 9
G maj7: X X 9 11 8 10
G 6: X X 9 9 8 10
G add9: X X 9 12 10 10
G maj9: X X 9 11 10 10
G maj9: X X 9 12 10 10
G 6/9: X X 7 9 8 10
G 6/9: X X 9 9 10 10
G 6/9: X X 9 12 10 10
G maj7/13: X X 9 9 7 10
G maj7/13: X X 9 9 8 10
G maj13: X X 7 9 7 10
G maj13: X X 9 9 7 10
G maj13: X X 9 9 8 10
G maj13: X X 9 9 10 10
G 6: X X 12 12 12 12
G 6/9: X X 9 12 10 12
G 6/9: X X 12 12 10 12
G 6/9: X X 12 14 12 12
G 6/#11: X X 11 12 12 12
G 6/#11: X X 12 12 14 12
G maj7/13: X X 12 11 12 12
G maj7/13: X X 12 12 12 12
G maj13: X X 9 11 10 12
G maj13: X X 11 11 10 12
G maj13: X X 12 11 10 12
G maj13: X X 9 12 10 12
G maj13: X X 11 11 12 12
G maj13: X X 12 11 12 12
G maj13: X X 11 12 12 12
G maj13: X X 12 12 12 12
G maj13: X X 11 14 12 12
G maj13: X X 12 14 12 12
G maj13: X X 12 11 14 12
G maj7: X X 12 12 12 14
G maj7: X X 17 16 15 14
G maj7/b5: X X 11 12 12 14
G maj7/b5: X X 17 16 14 14
G maj9: X X 12 14 12 14
G maj9: X X 17 14 15 14
G maj7/#11: X X 11 12 12 14
G maj7/#11: X X 12 12 14 14
G maj7/#11: X X 17 16 14 14
G maj#11: X X 11 12 12 14
G maj#11: X X 11 14 12 14
G maj#11: X X 12 12 14 14
G maj#11: X X 12 14 14 14
G maj#11: X X 17 14 14 14
G maj#11: X X 17 16 14 14
G maj7/13: X X 14 12 12 14
G maj7/13: X X 14 12 15 14
G maj7/13: X X 14 16 15 14
G maj7/13: X X 17 16 17 14
G maj13: X X 14 12 12 14
G maj13: X X 14 14 12 14
G maj13: X X 14 12 14 14
G maj13: X X 14 14 14 14
G maj13: X X 14 16 14 14
G maj13: X X 14 12 15 14
G maj13: X X 14 14 15 14
G maj13: X X 14 16 15 14
G maj13: X X 17 14 17 14
G maj13: X X 17 16 17 14

Chord Scale Progression (Superlocrian)

2009-06-06T12:36:00.003+02:00

G 7/b5 [X X 3 4 2 3] - G b5/b9 [X X 3 4 2 4]
G b5/b9 [X X 3 4 2 4] - G b5/#9 [X X 5 6 6 6]
G b5/#9 [X X 5 6 6 6] - G b5/b9 [X X 6 6 8 7]
G b5/b9 [X X 6 6 8 7] - G 7/b5 [X X 9 10 8 9]
G 7/b5 [X X 9 10 8 9] - G #5/b9 [X X 9 10 9 11]
G #5/b9 [X X 9 10 9 11] - G 7/b5 [X X 11 12 12 13]

NB: This is the tab (consider there are errors with alteration due to importing limitation).

This is the list of available chords:

G 7/b5: X X 3 4 2 3
G aug7: X X 3 4 4 3
G b5/b9: X X 3 1 0 3
G b5/b9: X X 3 1 2 3
G b5/b9: X X 6 4 6 3
G b5/b9: X X 6 6 6 3
G #5/b9: X X 1 1 0 3
G #5/b9: X X 3 1 0 3
G #5/b9: X X 3 1 4 3
G #5/b9: X X 6 4 4 3
G #5/b9: X X 6 4 6 3
G b5/#9: X X 3 3 0 3
G b5/#9: X X 3 3 2 3
G #5/#9: X X 1 3 0 3
G #5/#9: X X 3 3 0 3
G #5/#9: X X 3 3 4 3
G b5/b9: X X 3 4 2 4
G b5/b9: X X 5 4 2 4
G b5/b9: X X 5 4 6 4
G b5/b9: X X 5 6 6 4
G #5/b9: X X 3 4 4 4
G #5/b9: X X 5 4 4 4
G #5/b9: X X 5 4 6 4
G b5/#9: X X 5 4 6 6
G b5/#9: X X 5 6 6 6
G b5/#9: X X 9 6 6 6
G b5/#9: X X 9 6 8 6
G #5/#9: X X 3 4 4 6
G #5/#9: X X 5 4 4 6
G #5/#9: X X 5 4 6 6
G #5/#9: X X 5 8 6 6
G #5/#9: X X 9 8 6 6
G #5/#9: X X 9 8 8 6
G 7/b5: X X 5 6 6 7
G aug7: X X 5 8 6 7
G b5/b9: X X 6 6 6 7
G b5/b9: X X 6 6 8 7
G #5/b9: X X 6 8 6 7
G #5/b9: X X 6 8 8 7
G b5/#9: X X 8 6 6 7
G b5/#9: X X 8 6 8 7
G b5/#9: X X 8 10 8 7
G #5/#9: X X 8 8 6 7
G #5/#9: X X 8 8 8 7
G #5/#9: X X 8 10 8 7
G 7/b5: X X 9 10 8 9
G b5/b9: X X 9 10 9 9
G b5/b9: X X 9 12 9 9
G b5/#9: X X 8 10 8 9
G b5/#9: X X 9 10 11 9
G b5/#9: X X 9 12 11 9
G aug7: X X 9 10 8 11
G #5/b9: X X 9 10 9 11
G #5/b9: X X 9 12 9 11
G #5/#9: X X 8 10 8 11
G #5/#9: X X 9 10 11 11
G #5/#9: X X 9 12 11 11
G 7/b5: X X 11 12 12 13
G aug7: X X 13 12 12 13
G b5/b9: X X 11 13 12 13
G #5/b9: X X 13 13 12 13
G b5/#9: X X 11 12 11 13
G #5/#9: X X 13 12 11 13
G #5/#9: X X 13 15 12 13

4 Note Chord Progerssion

2009-06-06T12:28:00.002+02:00

This is a sample result of a new algorithm we're working on, related to chord progressions and voice leading management.
In this case we're looking for best positions on middle four strings for this progression:

A min9, D #5/#9, G maj13.

Algorithm will ensure that only nearest chords are returned.
Each measure is a returned progression.

Have fun!

High Note Progression

2009-06-06T12:11:00.004+02:00

This is a sample result of a new algorithm we're working on, related to chord progressions and voice leading management.
In this case we're looking for best positions on four high strings for this progression:

A min9, D #5/#9, G maj13.

Upper chord root has to be respectively: B, Bb and B again.
Each measure is a returned progression.

Have fun!

UbiGuitar

2009-06-06T11:50:00.003+02:00

Welcome to UbiGuitar!

This site distributes guitar tools for mobile phones and J2ME devices.
Our idea is to put in your phones, and so, everywhere you are, all tools you may need to be a complete guitarsit.
In our product family you'll find:

Chord finders
Scale finders
Arpeggio finders
Harmony tools (not yet released)
Improvisation tools (not yet released)
Ear training tools (not yet released)

Each tool is designed for a specific user profile so you will have always a simple interface designed for your needs and you'll don't pay for a lot of functionality you're not interested in.

To start with our demos go to download section.

News

2009-05-26T23:11:00.004+02:00

Actually our tools are published also on these popular portals:

GetJar
Phoload
Hitsquad
Softpedia
ClickApps

You can reach them also by phone browser and download using wap gateway.

Mobile Scale Tutor Live Demo

2009-05-26T00:25:00.007+02:00

This live demo is using MicroEmulator.

Key Controls:

Left/right to see previous/next position
Up/down to change root and restart search
Fire to play current position
* to change scale
# to change tuning

Mobile Chord Tutor Live Demo

2009-05-26T00:25:00.006+02:00

This live demo is using MicroEmulator.

Key Controls:

Left/right to see previous/next position
Up/down to change root and restart search
Fire to play current position
* to change chord/scale
# to change tuning

Mobile Arpeggio Tutor Live Demo

2009-05-26T00:24:00.004+02:00

This live demo is using MicroEmulator.

Key Controls:

Left/right to see previous/next position
Up/down to change root and restart search
Fire to play current position
* to change chord/scale
# to change tuning

Supported Scale List

2009-05-25T23:20:00.001+02:00

This is the list of currently supported scales with their note spelling using C as root:

Major (C, D, E, F, G, A, B)
Ionian (C, D, E, F, G, A, B)
Dorian (C, D, Eb, F, G, A, Bb)
Phrygian (C, Db, Eb, F, G, Ab, Bb)
Lydian (C, D, E, F#, G, A, B)
Mixolydian (C, D, E, F, G, A, Bb)
Aeolian (C, D, Eb, F, G, Ab, Bb)
Locrian (C, Db, Eb, F, Gb, Ab, Bb)
Natural Minor (C, D, Eb, F, G, Ab, Bb)
Major Pentatonic (C, D, E, G, A)
Minor Pentatonic (C, Eb, F, G, Bb)
Major Pentatonic b2 (C, Db, E, G, A)
Major Pentatonic b3 (C, D, Eb, G, A)
Major Pentatonic b2 b5 (C, Db, E, Gb, A)
Major Pentatonic b6 (C, D, E, G, Ab)
Major Pentatonic b3 b6 (C, D, Eb, G, Ab)
Major Pentatonic b2 b6 (C, Db, E, G, Ab)
Melodic Minor (C, D, Eb, F, G, A, B)
Dorian b2 (C, Db, Eb, F, G, A, Bb)
Lydian Augmented (C, D, E, F#, G#, A, B)
Lydian Dominant (C, D, E, F#, G, A, Bb)
Mixolydian b6 (C, D, E, F, G, Ab, Bb)
Locrian #2 (C, D, Eb, F, Gb, Ab, Bb)
SuperLocrian (C, Db, Eb, Fb, Gb, Ab, Bb)
Harmonic Minor (C, D, Eb, F, G, Ab, B)
Locrian #6 (C, Db, Eb, F, Gb, A, Bb)
Ionian Augmented (C, D, E, F, G#, A, B)
Dorian #4 (C, D, Eb, F#, G, A, Bb)
Mixolydian b2b6 (C, Db, E, F, G, Ab, Bb)
Lydian #2 (C, D#, E, F#, G, A, B)
SuperLocrian b7 (C, Db, Eb, Fb, Gb, Ab, Bbb)
Diminished Whole-Half (C, D, Eb, F, Gb, Ab, A, B)
Diminished Half-Whole (C, Db, Eb, E, F#, G, A, Bb)
Harmonic Major (C, D, E, F, G, Ab, B)
Locrian #2#6 (C, D, Eb, F, Gb, A, Bb)
Phrygian b4 (C, Db, Eb, Fb, G, Ab, Bb)
Jazz Minor#4 (C, D, Eb, F#, G, A, B)
Mixolydian b2 (C, Db, E, F, G, A, Bb)
Lydian Augmented #2 (C, D#, E, F#, G#, A, B)
Locrian b7 (C, Db, Eb, F, Gb, Ab, Bbb)
Hindu (C, D, E, F, G, Ab, Bb)
Hungarian Minor (C, D, Eb, F#, G, Ab, B)
Hungarian Major (C, D#, E, F#, G, A, Bb)
Oriental (C, Db, E, F, Gb, A, Bb)
Ionian Aug #2 (C, D#, E, F, G#, A, B)
Ionian bb3 bb7 (C, Db, Ebb, F, Gb, Ab, Bbb)
Double Harmonic (C, Db, E, F, G, Ab, B)
Lydian #6 #2 (C, D#, E, F#, G, A#, B)
Altered #5 b7 (C, Db, Eb, E, G, Ab, Bbb)
Altered b6 b7 (C, Db, Eb, E, Gb, Abb, Bbb)
Locrian #2 #7 (C, D, Eb, F, Gb, Ab, B)
Altered #6 (C, Db, Eb, E, Gb, A, Bb)
Melodic Augmented (C, D, Eb, F, G#, A, B)
Dorian b2 #4 (C, Db, Eb, F#, G, A, Bb)
Lydian Augmented #3 (C, D, E#, F#, G#, A, B)
Neapolitan Major (C, Db, Eb, F, G, A, B)
Neapolitan Minor (C, Db, Eb, F, G, Ab, B)
Lydian #6 (C, D, E, F#, G, A#, B)
Dominant Augmented (C, D, E, F, G#, A, Bb)
Hungarian Gypsy (C, D, Eb, F#, G, Ab, Bb)
Locrian #3 (C, Db, E, F, Gb, Ab, Bb)
Ionian #2 (C, D#, E, F, G, A, B)
Altered b3 b7 (C, Db, Ebb, E, Gb, Ab, Bbb)
Lydian Augmented #6 (C, D, E, F#, G#, A#, B)
Lydian Dominant Augmented (C, D, E, F#, G#, A, Bb)
Lydian Minor (C, D, E, F#, G, Ab, Bb)
Major Locrian (C, D, E, F, Gb, Ab, Bb)
Altered #2 (C, D, Eb, E, Gb, Ab, Bb)
Altered b3 (C, Db, Ebb, E, Gb, Ab, Bb)
Enigmatic (C, Db, E, F#, G#, A#, B)
Enigmatic Minor (C, Db, Eb, F#, G, A#, B)
Composite II (C, Db, E, F#, G, Ab, B)
Ionian b5 (C, D, E, F, Gb, A, B)
Dorian b4 (C, D, Eb, Fb, G, A, Bb)
Phrygian b3 (C, Db, Ebb, F, G, Ab, Bb)
Lydian b2 (C, Db, E, F#, G, A, B)
Superlydian Augmented (C, D#, F, F#, G#, A#, B)
Aeolian bb7 (C, D, Eb, F, G, Ab, Bbb)
Locrian bb6 (C, Db, Eb, F, Gb, Abb, Bb)
Locrian #2 (C, Db, Eb, F, Gb, Ab, B)
Ionian #6 (C, D, E, F, G, A#, B)
Dorian Augmented (C, D, Eb, F, G#, A, Bb)
Phrygian #4 (C, Db, Eb, F#, G, Ab, Bb)
Lydian #3 (C, D, E#, F#, G, A, B)
Dominant #2 (C, D#, E, F, G, A, Bb)
Altered Alt (C, Db, Ebb, E, Gb, Abb, Bbb)
Persian (C, Db, E, F, Gb, Ab, B)
Kumoi (C, D, Eb, G, A)
Hirojoshi (C, D, Eb, G, Ab)
Whole Tone (C, D, E, F#, G#, A#)
Augmented (C, D#, E, G, Ab, B)
Pelog (C, Db, Eb, E, G, Ab)
Dominant Sus (C, D, F, G, A, Bb)
8 Tone Spanish (C, Db, Eb, E, F, Gb, Ab, Bb)
Bebop Locrian #2 (C, D, Eb, F, Gb, Ab, Bb, B)
Bebop Dominant (C, D, E, F, G, A, Bb, B)
Bebop Minor (C, D, Eb, F, G, Ab, A, Bb)
Bebop Locrian (C, Db, Eb, F, Gb, G, Ab, Bb)
Bebop Dorian (C, D, Eb, F, G, A, Bb, B)
Bebop Major (C, D, E, F, G, Ab, A, B)

Supported Chord/Arpeggio List

2009-05-25T23:15:00.003+02:00

This is the list of currently supported chords/arpeggios with their note spelling using C as root:

maj (C, E, G)
min (C, Eb, G)
aug (C, E, G#)
dim (C, Eb, Gb)
sus2 (C, D, G)
sus4 (C, F, G)
maj7 (C, E, G, B)
maj7/#5 (C, E, G#, B)
maj7/b5 (C, E, Gb, B)
7 (C, E, G, Bb)
7/b5 (C, E, Gb, Bb)
aug7 (C, E, G#, Bb)
min7 (C, Eb, G, Bb)
min7b5 (C, Eb, Gb, Bb)
min7/5# (C, Eb, G#, Bb)
minmaj7 (C, Eb, G, B)
minmaj7/b5 (C, Eb, Gb, B)
minmaj7/#5 (C, Eb, G#, B)
6 (C, E, G, A)
min6 (C, Eb, G, A)
dim7 (C, Eb, Gb, Bbb)
add9 (C, E, G, D)
maj9 (C, E, G, B, D)
6/9 (C, E, G, A, D)
maj7/#11 (C, E, G, B, F#)
6/#11 (C, E, G, A, F#)
maj#11 (C, E, G, B, D, F#)
maj7/13 (C, E, G, B, A)
maj13 (C, E, G, B, D, F#, A)
min9 (C, Eb, G, Bb, D)
min6/9 (C, Eb, G, A, D)
minmaj9 (C, Eb, G, B, D)
min11 (C, Eb, G, Bb, D, F)
min13 (C, Eb, G, Bb, D, F, A)
9 (C, E, G, Bb, D)
b5/9 (C, E, Gb, Bb, D)
#5/9 (C, E, G#, Bb, D)
b9 (C, E, G, Bb, Db)
b5/b9 (C, E, Gb, Bb, Db)
#5/b9 (C, E, G#, Bb, Db)
#9 (C, E, G, Bb, D#)
b5/#9 (C, E, Gb, Bb, D#)
#5/#9 (C, E, G#, Bb, D#)
11 (C, E, G, Bb, D, F)
11/b9 (C, E, G, Bb, Db, F)
13 (C, E, G, Bb, D, F, A)
13/b5 (C, E, Gb, Bb, D, F, A)
13/b9 (C, E, G, Bb, Db, F, A)
13/#9 (C, E, G, Bb, D#, F, A)
13/b9/b5 (C, E, Gb, Bb, Db, F, A)
13/#9/#5 (C, E, G#, Bb, D#, F, A)
9/b13 (C, E, G, Bb, D, Ab)

Thank You

2009-05-24T22:18:00.003+02:00

Thank You for your purchasing.
In a while you'll receive an email with instruction for downloading complete application. To activate it remember to send us the registration code you'll find in your application. You'll receive back your registration key.
We hope you enjoy our tools.
For any question feel free to contact us at ubiguitar@gmail.com.

Kind Regards

UbiGuitar Team

Mobile Arpeggio Tutor

2009-05-21T02:09:00.017+02:00

This tool is designed for intermediate/advanced guitar players who are interested in learning arpeggios along all fretboard in different fingering configurations.

Supported search algorithms:

Framed arpeggio
2 note per string
One octave position
From root or mode position
On specific string pattern (lower or higher strings)
Supported arpeggio list

Click download tab to get a demo or follow this link to try application online.

To purchase this application please follow this link: purchase,
or consider to buy our Complete Guitar Pack.

Feel free to contact us.

Mobile Scale Tutor

2009-05-21T01:49:00.021+02:00

This tool is designed for intermediate/advanced jazz guitar players who are interested in learning scales along all fretboard in different fingering configurations.

Supported search algorithms:

Framed scales
3 note per string
2 note per string (pentatonics)
One octave position
From root or mode position
On specific string pattern (lower or higher strings)
Specific fingering pattern (3+3+1+3... etc)
Currently supported 100 different scales

Mobile Chord Tutor

2009-05-07T08:32:00.039+02:00

This tool is designed for intermediate/advanced guitar players who are interested in specific jazz/rock voicing as four note chords, drop chords or upper structure chords.
All proposed results are selected for their typical jazz sound.
Very interesting is also support for note spelling to learn correct chord articulation in any tonality.

Supported search algorithms:

Basic Chord Finder (CAGED Chords)
Open Chord Finder
Basic Inversion Finder
4 Note Chords (root positions or invesions)
Drop2 Chord Finder (only for six and seven chords type)
Drop3 Chord Finder (only for six and seven chords type)
Drop2+3 Chord Finder (only for six and seven chords type)
Drop2+4 Chord Finder (only for six and seven chords type)
automatic support for b9 interval check
automatic support for low interval limit check
automatic support for syntetic chord search and rootless chord search
support for upper structure chord (bass and triads)
support for string pattern
Note stacking
Incomplete voicing
current chord list

To get a demo versionon follow this link.
To try application follow this link.

To purchase this application please follow this link: purchase,
or consider to buy our Complete Guitar Pack.

Feel free to contact us.

Drop 2 voicing

2009-05-01T14:00:00.010+02:00

Drop 2 voicings are some of the most important chord shapes you can learn. These shapes are used by all sorts of guitar players to provide an easy way to learn chord voicings all over the neck.

We create a drop 2 voicing by dropping the second voice down to the bottom of the chord. For example a C major seven chord has the notes C, E, G, B. We can drop the G down to the bottom of the chord to give a voicing of G, C, E, B.

We have three sets of voicing for each chord type. There are chord shapes for the low, mid and high strings. It is important to learn all three types so that you can call on them when required. Try playing some simple chord progressions and see if you can switch between the chord shapes in different parts of the fretboard.

Screenshots

2009-04-27T22:16:00.015+02:00

Basic Tasks:

Application menus:

This are a list of basic positions:

This is list of four note positions:

This is list of drop positions:

This is list of open positions:

This is list of open tuning position:

Contacts

2009-04-27T11:46:00.001+02:00

To contacts us please use current email address:

ubiguitar@gmail.com

You will be answered in a business day.

Purchase

2009-04-27T11:18:00.015+02:00

Purchasing UbiGuitar software is very simple:

Download demo version of application you're interested in and verify that it works correctly on your device.
Go to registration form in demo application (last voice in main menu) and write down the code you can see there
Select product you want to buy in the list below and complete payment on paypal.
Send an email with code to ubiguitar@gmail.com

As soon as we have confirmation from paypal we'll send you the activation code and a link to download registered application.

Our support team will be happy to help you during any of above steps, contact them using email ubiguitar@gmail.com.

If you need license for music courses or teaching class, please, contact us for an appropriate cost definition.

Thank you for considering our software.

Home

2009-04-27T11:09:00.015+02:00

Chord finders
Scale finders
Arpeggio finders
Voice Leading Tools (in development)
Harmony tools (not yet released)
Improvisation tools (not yet released)
Ear training tools (not yet released)

Each tool is designed for a specific user profile so you will have always a really simple interface designed for your needs.

To start with our demos go to download section.

Downloads

2009-04-27T11:08:00.011+02:00

Corrently available downloads:

Have fun!

Products

2009-04-27T10:52:00.016+02:00

This is the list for current available and planned products from UbiGuitar.

Chord Finders (available)

Acousting Guitar Chord Tutor
Rock Guitar Chord Tutor
Bass Chord Tutor
Jazz Guitar Chord Tutor
Mandolin Chord Tutor

Scale Finders (available):

Rock Guitar Scale Tutor
Jazz Guitar Scale Tutor
Bass Scale Tutor
Mandolin Scale Tutor

Arpeggio Finders (available):

Basic Arpeggio Tutor
Advanced Arpeggio Tutor
Bass Arpeggio Tutor
Mandolin Arpeggio Tutor

Other Tools (shortly available):

Jazz Harmony Analyzer (work in progress)
Voice Leading Assistant (work in progress)
Scale Exercise Builder
Jazz Improvisor Assistant
Ear Trainer Assistant (work in progress)

Features

2009-04-27T10:37:00.005+02:00

UbiGuitar is based on a revolutionary set of algorhythms for guitar position discovery.
There are different algorhythms for chord analysis, for scale and arpeggio discovering.
Any of these algorhythms is able to select only playable positions because they are based on a model of guitarist left hand.
Again algorhythms are specialized for a specific playing technique so we have different solution if we look for a chord for jazz, for acoustic guitar, for open tunings and so on.
These aspects are very important for usability (you know that what you will find will be useful to play) and quality of result.
In these terms we consider these tools revolutionary.

Main Features for chord finders:

Different chord position found along the neck
Support for barrè chord
Support for inversions
Support for fingerstyle position (bass separated)
Support for open stringed chords
Support for upper structure voicings
Support for comping voicing
Support for optional note voicings (synthetic voicings)
Support for Low Interval Limit
Support for b9 interval exclusion (not for dominant chords)
Support for forth voicings
Different tunings supported (i.e. Open G, Open D, Drop D...)
Enharmonic note name management (i.e. D# and Eb)
Correct note spelling (i.e. Cdim7 will produce C, Eb, Gb, Bbb)
Graphic rapresentation with notes/degrees/barrè/tuning information
Midi Output

Main Features for scale and arpeggio finders:

Different position found along the neck
Support for frame width (5 frets)
Support for 3 note per string scale
Support for 2 note per string scale (pentatonics)
Support for only one octave position
Support for only from root position
Graphic rapresentation with notes/degrees/barrè/tuning information
Midi Output

Under Construction

2009-04-23T09:10:00.000+02:00

This site is under contruction.

UbiGuitar is a tool collection for the mobile guitarist.